I very much enjoyed J. Dianne Dotson’s space opera quadrilogy, The Questrison Saga, and so I’m at the point now where anything from this author is bound to pique my interest. The Inn at the Amethyst Lantern is a whimsical young adult lunarpunk adventure—a genre I have never read before, but I really dig the vibes. Think a civilisation that lives in dark forests or at night with plenty of...

By now you all know how much I enjoyed Witch in the Lighthouse, and so I jumped at the chance when author Azalea Forrest put out a call for ARC readers for its sequel, A Witch in Isenshire, a book which I had the privilege of helping to reveal the cover for recently. I’ve really come to enjoy cosy fantasy as a genre, and if you had told me this would be the case a few years ago...

Howl’s Moving Castle is one of my favourite Studio Ghibli movies (that’s not really saying a lot, because most of the movies in Studio Ghibli’s catalogue are my favourite movies lol!) But I was intrigued to read the original children’s fantasy novel by Diana Wynne Jones, and I was surprised to learn it’s only the first book in a whole trilogy. Let me just take a moment to praise the cover art…

Back in March, I had the privilege to share the updated cover for Witch in the Lighthouse, and now I have a similar honour to help Azalea share the cover for the upcoming sequel to that book! I’m really looking forward to A Witch in Isenshire, because I very much enjoyed the first book in the series. So I signed up as an ARC reader, and on the sign-up form...

The cover for the new partial omnibus by Armanis Ar-Feinial. I’m thrilled to be bringing you a new cover reveal today on the blog. The Hedgehog Dilemma is an urban fantasy partial omnibus by indie fantasy author Armanis Ar-Feinial, containing two full-length novels: The Hedgehog and The Nihilistic Neverending Nightmare. I honestly love the vibe of this cover, showing a good mix of the real and magical that is right on point for the genre and I’m delighted to be able to help share it.

I loved Witch in the Lighthouse when I read it last year. For me it really captured the cosy vibes and whimsy of a classic Studio Ghibli movie (you can read the full review here). So I jumped at the chance when Azalea asked for book bloggers to help share a couple of new announcements for this lovely book! First and foremost we have this really nice-looking cover refresh for the book!

A Necromancer Called Gam Gam is a semi-finalist in the first annual Speculative Fiction Indie Novella Championship (SFINCS), and it’s been on my TBR for a little while. But, as a fellow SFINCTER (lol), I couldn’t help but be curious about some of the other books in the contest. So I moved this one up, and I have to say, as someone who lost a parent at a young age, it made me cry.

I didn’t expect to blast through Wishhobbler in a single day, but from the first page I was hooked. It’s weird, darkly funny and a little sinister. It certainly put me in mind of some of the books my eldest has been bringing home from school, and it has some really fantastic stylised illustrations throughout to match!

I thoroughly enjoyed my previous read by Azalea Forrest, Witch in the Lighthouse, but after reading A Bitter Drink, I think this one is my new favourite of the two. Less Ghibli, and dialing back on the coziness a little, to instead bring us great character work and higher stakes in an imaginative fantasy world. So, let’s have a deeper look.

This isn’t a first for me. I have fond memories of my dad reading The Hobbit to me as a bedtime story when I was a child, and it’s remarkable how much the book stuck with me over the years. Now I’m older and I have children of my own, it has given me a wonderful opportunity to read the book to them as well. Unfortunately, I didn’t own a copy of the book!

Here’s my totally irreverent, irrelevant, and worst ever annual “Books of the Year” list for 2023! This is a terrible list of books. I mean, most of them aren’t even books. Why did I make this? I could’ve been playing Final Fantasy XVI, or hanging up the laundry, or literally anything else. But instead I am pleased to present to you my totally irreverent, irrelevant, list of awards to mark the end of the grand old year of two-thousand-and-twenty-three. And of course, it’s in a top-ten format.

I’m pretty happy with the amount of books I managed to read and review this year! So many were indie books, too, which was my goal. All in all, I read and reviewed 25 books up to the time of writing this post. Whenever I review books, in addition to this blog, I usually post them to Goodreads and Amazon, as well as sharing the link to the review on Twitter, Threads, Bluesky, Facebook, and sometimes Instagram (if I remember).

An excellent eclectic short story collection from J. Dianne Dotson. After finishing the Questrison Saga, I knew I’d be forever picking up J. Dianne Dotson’s books, because they’re a great lot of fun. I think there’s only one more book out that’s under the J. Dianne Dotson pen name: The Inn at the Amethyst Lantern, and from there on, her works will be published under the pseudonym Jendia Gammon.

Similarly to The Lords of Midnight, Doomdark’s Revenge is a videogame I have no personal experience with. At least with the first game, I’d played a little of the Android remake by Chris Wild. Not so with its sequel. Mike Singleton’s Doomdark’s Revenge was originally released the same year as its predecessor, again for the ZX Spectrum system, and significantly expanded the first game’s scope. There were now hundreds of characters, and a brand new realm to explore. The Icemark also had a much larger map than that of the land of Midnight in the previous game, and many more routes to success. Understandably, making such a novelisation sounds like a monumental challenge.

Brandon Sanderson is one of the most successful and prolific fantasy authors of recent years. I’m sure we’re all astounded at the blistering pace he puts out these ungodly huge tomes. As such, I’ve been really curious to see what his writing is actually like, and why it’s been so well-received. Taking advice from various Booktubers and other commentators, I decided to start with his first Mistborn trilogy, which is said to be a good entry point to his work. And, you know what? I get it.

We are now halfway through 2023, and The Oath & Blood Price: Part One is my fourteenth book review of the year, most of which have, like this one, been indie or self-published books. I said before that this year I wanted to focus more heavily on indie books and support the indie writing community, and I had a really great time with Peter Shaun-Tyrell’s debut fantasy novel. It’s on the shorter side, so I was able to read through it quite quickly, but I will definitely be picking up Part Two sometime in the near future. Let’s talk about Part One.

I love Studio Ghibli movies. I could endlessly rewatch almost all of them (sorry, Tales From Earthsea, you don’t quite cut the mustard). I know Azalea Forrest is a Ghibli fan as well. So, when I kept seeing Witch in the Lighthouse being described as “Ghibli-esque”, I knew I had to pick it up. You may recognise Azalea Forrest as being the first author to have an interview on this blog, so check it out here to learn more about her and her books.

I’ve seen Legends & Lattes going around the writing community for a long time and heard a great many good things about it. I had it sitting in my wishlist on Amazon for ages, waiting for a good moment to buy, and then when that time came along, the author had the audacity to get a trad publishing deal and for the book to be republished by Tor, which meant it disappeared and I “had” to wait for it to become available again…

The Shield Road was my final read of 2022. I blasted through it during that nebulous span of days between Christmas and New Year where time has no meaning and the human body subsists on the excess snacky bits we over-bought before the festive season. I’ve seen snippets of Dewi’s work before on Twitter, and - seeing the sheer quality of his prose - I knew I would have to pick up The Shield Road as soon as possible.

It’s been a while since I last dipped my toes into the Earthsea Cycle. The Farthest Shore was the end of an internal trilogy, and it felt like it brought things to a close, but the story didn’t end there. In Tehanu, we revisit Tenar, twenty-five years on from her escape from The Tombs of Atuan, and we watch Ged wrestle with the consequences of his sacrifice in The Farthest Shore…